The Flower That Seats Into His
Hers carries an offset flower. His is cut away exactly where that flower sits.
Matching sets, individual bands, or a stack built around an existing ring — designed and cast in solid gold, not picked off a shelf.
Hers carries an offset flower. His is cut away exactly where that flower sits.
A shape nobody else has — half of each shank honeycombed, hers half-set in pavé.

A rose gold pair — her maple-leaf marquises, embedded flush into his band.
Two bands that only reveal the joke to the couple wearing them.
Hers carries an offset flower. His is cut away exactly where that flower sits.
A shape nobody else has — half of each shank honeycombed, hers half-set in pavé.

A rose gold pair — her maple-leaf marquises, embedded flush into his band.
Two bands that only reveal the joke to the couple wearing them.
Hers carries an offset flower. His is cut away exactly where that flower sits.
A shape nobody else has — half of each shank honeycombed, hers half-set in pavé.

A rose gold pair — her maple-leaf marquises, embedded flush into his band.
Two bands that only reveal the joke to the couple wearing them.
Real pairs, made for real couples. Open any one for the film, the 3D file, and the brief it started from.

She loves growing things. He collects rocks. The pair had to carry both.
Hers is a stacking band with a flower blooming off-centre, sized to sit against her engagement ring. His carries a cut-out shaped to that exact petal — put the two together and one seats into the other.

Their two favourite characters, combined into one.
They wanted a band shape nobody else had, so half of each shank is honeycombed. The sculpting across the pair combines the two characters they each grew up on into one figure.


Her love of nature, drawn from autumn maples.
Hers carries marquise diamonds cut to read as maple leaves. His carries the same shape, embedded flush into the surface rather than raised — there if you look for it, invisible if you do not.
A shared childhood, split across two rings.
His carries the ears; hers carries the running silhouette. The detail that makes it is the tail — the male shape on his, the heart-shaped female one on hers.
Not a catalogue. These are things real couples asked us to make.
Maple leaves from her favourite season, set flush into his band.
A flower on hers that seats into a cut-out on his.
Half honeycomb, because they wanted a shape nobody else had.
The mountain top in Australia where they fell in love — textured from the rock itself.
Not one of these existed before someone asked.
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